Remaking Chinese cinema through the prism of Shanghai, Hong Kong, and Hollywood /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Honolulu :
University of Hawaiʻi Press,
c2013.
|
| Rangatū: | Critical interventions (Honolulu, Hawaii)
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The goddess : tracking the "unknown woman" from Hollywood through Shanghai to Hong Kong
- Family resemblance, class conflicts : re-version of the sisterhood singsong drama
- The love parade goes on : western-costume Cantonese opera film and the foreignizing remake
- Mr. Phantom goes to the East : history and its afterlife from Hollywood to Shanghai and Hong Kong
- Conclusion : Mr. Undercover goes global.