Iconic turns nation and religion in Eastern European cinema since 1989 /
Wedi'i Gadw mewn:
| Awdur Corfforaethol: | |
|---|---|
| Awduron Eraill: | , |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Leiden ; Boston :
Brill,
2013.
|
| Cyfres: | Central and Eastern Europe, regional perspectives in global context ;
v. 3. |
| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
|
Tabl Cynhwysion:
- Introduction
- Religion and politics in Soviet and Eastern European cinema: a historical survey / Liliya Berezhnaya and Christian Schmitt
- Institutional Powers. Blessed films: the Russian Orthodox Church and patriotic culture in the 2000s / Hans-Joachim Schlegel
- Russian film premieres in 2010/11: sacralizing national history and nationalizing religion / Steven M. Norris
- A cinematic churchman: metropolitan Andrey Sheptytsky in Oles Yanchuk's Vladyka Andrey / Liliya Berezhnaya
- Sacred and profane images: rethinking history: heroes, saints and martyrs in contemporary Russian cinema. The godless Czechs? cinema, religion and Czech national identity / Eva Binder
- Beyond the surface, beneath the skin: immanence and transcendence in Gyorgi Palfi's films / Jan Culik
- Conflict, trauma, and memory. Narrating the Shoah in Poland: post-1989 movies about Polish-Jewish relations in times of German extermination politics / Christian Schmitt
- Memory, national identity, and the cross: Polish documentary films about the Smolensk plane crash / Maren Roger
- Religion visible and invisible: the case of post-Yugoslav anti-war films / Miroslaw Przylipiak.