On-demand culture digital delivery and the future of movies /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New Brunswick, N.J. :
Rutgers University Press,
2013.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Fast, cheap, and hypermobile: digital distribution and the future of cinema. Coming soon to a computer near you: digital delivery and ubiquitous entertainment
- Restricting and resistant mobilities: negotiating digital delivery
- "Make any room your tv room": digital delivery and media mobility
- Breaking through the screen: 3D, avatar, and the future of moviegoing
- Redbox vs. red envelope, or closing the window on the bricks and mortar video store
- The Twitter effect: social media, and digital delivery
- Indie 2.0: digital delivery, crowdsourcing, and social media
- Reinventing festivals: curation, distribution, and the creation of global cinephilia
- Conclusion.