Freedom and the arts essays on music and literature /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Cambridge :
Harvard University Press,
c2012.
|
| Putanga: | 1st ed. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The weight of society
- Freedom and art
- Culture on the market
- The future of music
- The canon
- Dramatic and tonal logic in Mozart's operas
- Mozart's entry into the twentieth century
- The triumph of Mozart
- Drama and figured bass in Mozart's concertos
- Mozart and posterity
- Structural dissonance and the classical sonata
- Tradition without convention
- Felix Mendelssohn at 200 : prodigy without peer
- Happy birthday, Elliott Carter!
- Frédéric Chopin, reactionary and revolutionary
- Robert Schumann, a vision of the future
- Long perspectives
- The New Grove's dictionary returns
- Western music : the view from California
- Theodore Adorno : criticism as cultural nostalgia
- Resuscitating opera : Alessandro Scarlatti
- Operatic paradoxes : the ridiculous and sublime
- Lost chords and the golden age of pianism
- Montaigne : philosophy as process
- La Fontaine : the ethical power of style
- The anatomy lesson : melancholy and the invention of boredom
- Mallarmé and the transfiguration of poetry
- Hoffmansthal and radical modernism
- The private obsessions of Wystan Auden
- Old wisdom and newfangled theory : two one-way streets to disaster.