Ludics in surrealist theatre and beyond
Furkejuvvon:
Váldodahkki: | |
---|---|
Searvvušdahkki: | |
Materiálatiipa: | Elektrovnnalaš E-girji |
Giella: | eaŋgalasgiella |
Almmustuhtton: |
Farnham, England ; Burlington, Vt. :
Ashgate,
c2013.
|
Ráidu: | Ashgate studies in surrealism
|
Fáttát: | |
Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Introduction: Does surrealist theatre exist?
- The surrealist game "one into another" in Nadja and Les Détraquées: reconstructing André Breton's Ludic dramatic theory
- Staging "mad love" in the théâtre Alfred Garry: Breton's Ludic dramatic theory in practice
- Staging child's play in Roger Vitrac's victor or children in power: between Paidia and Ludus
- Playing with language: Antonin Artaud's Paidia and Robert Wilson's Ludus
- Mimicry and post-surrealist Ludics in Megan Terry's "Theatre of transformations".