Spectrality in the novels of Toni Morrison
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Knoxville :
University of Tennessee Press,
c2013.
|
| Putanga: | 1st ed. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: "What does it mean to follow a ghost" in Toni Morrison's fiction?
- Spectral beginnings in The bluest eye and Sula
- "Why not ghosts as well?" the presence of the spectral in song of solomon and tar baby
- "What would be on the other side?" history as a spectral bridge in Beloved and Paradise
- "The specter as possibility": ghostly narrators in Jazz and Love
- "Slave. Free. I last": spectral returns in A mercy.