How did poetry survive? the making of modern American verse /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Urbana :
University of Illinois Press,
c2012.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction. A modernism of the city
- Inventing the new verse
- American poetry on the brink, 1905-1912
- Poetry's opening door : Harriet Monroe and American modernism
- Young, blithe, and whimsical : the avant-gardism of the masses
- There is always others : experimental verse and "ulterior social result"
- Volunteers of America, 1917 : the seven arts and the Great War
- Keys to the city
- Gutter and skyline : the new verse and the metropolitan cityscape
- Footprints of the 20th century : American skyscrapers, modern poems
- Subway fare : toward a poetics of rapid transit.