Rival queens actresses, performance, and the eighteenth-century British theater /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Philadelphia :
University of Pennsylvania Press,
c2010.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Introduction: at stage's edge
- The economics of celebrity
- Real, beautiful women: rival queens
- Actresses' memoirs: exceptional virtue
- Actresses and patrons: the theatrical contract
- The actress and performative property: Catherine Clive
- The actress, travesty, and nation: Margaret Woffington
- The actress and material femininity: Frances Abington
- Epilogue: contracted virtue.