Daniel Calparsoro
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Manchester, U.K. ; New York : New York :
Manchester University Press ; Distributed in the United States exclusively by Palgrave,
2009.
|
| Rangatū: | Spanish and Latin American filmmakers
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Pt. I. The context. Introduction
- Najwa Nimri: the interaction of director and star
- pt. II. The films. Salto al vacío: opening up the void
- Pasajes: pathways through nowhere
- A ciegas: the blind side of Basque terrorism
- Asfalto: violence à trois
- Guerreros: Spanish alienation in a foreign landscape
- Ausentes: shining a light on horror
- Conclusion.