Marginal modernity the aesthetics of dependency from Kierkegaard to Joyce /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Fordham University Press,
c2013.
|
| Putanga: | 1st ed. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: The aesthetics of modernism
- Presuppositions and varieties of aesthetic experience
- Johan Ludvig Heiberg and the autonomy of art
- Aesthetics of fragmentation in Henrik Ibsen's Peer Gynt
- Nora's departure and the aesthetics of dependency
- Henry James and the emergence of the major phase
- Hugo von Hofmannsthal and the language of the future
- Conflict and mediation in James Joyce's The dead
- Intransitive love in Rainer Maria Rilke's The notebooks of Malte Laurids Brigge.