Aesthetic rivalries word and image in France, 1880-1926 /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Oxford [England] ; New York :
Peter Lang,
c2012.
|
| Ráidu: | Cultural interactions ;
v. 15. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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Sisdoallologahallan:
- Introduction
- Interchange and rivalry between the arts
- Hierarchies of the senses in Symbolist criticism : birds of a feather? Gauguin's ambivalent relationship with literary symbolism
- A creative conspiracy : Gauguin's Noa Noa : a Parisian in Tahiti
- Art in theory : word and image in early Cubist criticism
- Mallarme, Picasso, and the aesthetic of the newspaper : poetic gold or paper money?
- Gide's Les faux-monnayeurs : from alchemy to forgery
- Coda. Visual and verbal simultaneity in the early twentieth century.