Aesthetic rivalries word and image in France, 1880-1926 /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford [England] ; New York :
Peter Lang,
c2012.
|
| Rangatū: | Cultural interactions ;
v. 15. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Interchange and rivalry between the arts
- Hierarchies of the senses in Symbolist criticism : birds of a feather? Gauguin's ambivalent relationship with literary symbolism
- A creative conspiracy : Gauguin's Noa Noa : a Parisian in Tahiti
- Art in theory : word and image in early Cubist criticism
- Mallarme, Picasso, and the aesthetic of the newspaper : poetic gold or paper money?
- Gide's Les faux-monnayeurs : from alchemy to forgery
- Coda. Visual and verbal simultaneity in the early twentieth century.