"Kicking Bishop Brennan up the arse" negotiating texts and contexts in contemporary Irish studies /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Oxford ; New York :
Peter Lang,
c2009.
|
| Rangatū: | Reimagining Ireland ;
v. 1. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction negotiating texts and contexts
- Ireland in theory: the influence of French theory on Irish cultural and societal development
- The ethics of translation: Seamus Heaney's Cure at Troy and Beowulf
- The body politic: the ethics of responsibility and the responsibility of ethics in Seamus Heaney's The burial at Thebes
- "You can never know women": framing female identity in Dubliners
- The return and redefinition of the repressed: postcolonial studies and "Eveline" in Dubliners
- "Inner émigr'(s)": Derrida, Heaney, Yeats and the hauntological redefinition of Irishness
- "Kicking Bishop Brennan up the arse": Catholicism, deconstruction and postmodernity in contemporary Irish culture
- "Guests (geists) of the nation": a Heimlich (unheimlich) manoeuvre
- Global warnings: towards a deconstruction of the global and the local
- "T siad ag teacht": Guinness as a signifier of Irish cultural transformation.