What makes a film tick? cinematic affect, materiality and mimetic innervation /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Bern ; New York :
Peter Lang,
c2011.
|
| Ráidu: | Film cultures ;
v. 4 |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
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Sisdoallologahallan:
- Introduction: a paradigm shift in film studies. "A particular type of film experience"
- A paradigm shift in film studies
- Affect and the feature film
- Cinema and embodied affect
- Precarious boundaries: affect, mise en scène and the senses in Angelopoulos, Balkans epic
- Nowhere to hide: the tumultuous materialism of Lee Myung-Se
- Affect and documentary. But what does the man in the cowboy hat think?
- Intercultural dialogue: silence, taboo and masquerade
- Garin Nugroho: Didong, cinema and the embodiment of politics in cultural form
- The poetics of a potato: documentary that gets under the skin
- "Buddhas made of ice and butter": mimetic visuality, transience and the documentary image.