What makes a film tick? cinematic affect, materiality and mimetic innervation /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bern ; New York :
Peter Lang,
c2011.
|
| Rangatū: | Film cultures ;
v. 4 |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: a paradigm shift in film studies. "A particular type of film experience"
- A paradigm shift in film studies
- Affect and the feature film
- Cinema and embodied affect
- Precarious boundaries: affect, mise en scène and the senses in Angelopoulos, Balkans epic
- Nowhere to hide: the tumultuous materialism of Lee Myung-Se
- Affect and documentary. But what does the man in the cowboy hat think?
- Intercultural dialogue: silence, taboo and masquerade
- Garin Nugroho: Didong, cinema and the embodiment of politics in cultural form
- The poetics of a potato: documentary that gets under the skin
- "Buddhas made of ice and butter": mimetic visuality, transience and the documentary image.