Ibsen's foreign contagion Henrik Ibsen, Arthur Wing Pinero, and modernism on the London stage, 1890-1900 /
I tiakina i:
Kaituhi matua: | |
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Kaituhi rangatōpū: | |
Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
Bethesda :
Academia Press,
2012.
|
Ngā marau: | |
Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- The Ibscene: drama and epidemiological discourse
- The Ibsen strain: Ghosts
- No longer an enemy of the people?
- The native cure: the Pinerotic
- A healthy art: the case of Henry Arthur Jones
- Epilogue: immunity.