On opera
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
New Haven [Conn.] :
Yale University Press,
c2006.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- The nature of opera : entry for The New Grove Dictionary of Opera
- Mozart's comedies and the sense of an ending
- Mozart's Figaro : a question of class?
- Don Giovanni as an idea
- Passion and cynicism : remarks on Così fan tutte
- Rather red than black : Verdi, Don Carlos and the passion for freedom
- Tristan and time
- The elusiveness of pessimism : responding to the Ring
- Wagner and the transcendence of politics
- L'envers des destinées : remarks on Debussy's Pelléas et Mélisande
- Manifest artifice : the ingenuity of Puccini
- Comments on Opera and ideas : from Mozart to Strauss / by Paul Robinson
- The Marriage and the Flute : Tippett and Mozart
- Janáček's modernism : doing less with more in music and philosophy
- Authenticity and re-creation : musicology, performance and production
- Naïve and sentimental opera lovers.