"Not even past" race, historical trauma, and subjectivity in Faulkner, Larsen, and Van Vechten /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Ngā kaituhi rangatōpū: | , |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Fordham University Press,
2010.
|
| Putanga: | 1st ed. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- "Little black man": repetition, the lesbian phallus, and the southern rape complex in Sanctuary
- "Which tooth hit you first?": nation, home, women, and violence in Requiem for a nun
- "Anyone with half an eye": blackness and the disaster of narcissism in Quicksand
- "A having way": fetishism and the black bourgeoisie in Passing
- "To glorify the negro": photographic shock and blackness in Carl Van Vechten's Portraiture.