"Not even past" race, historical trauma, and subjectivity in Faulkner, Larsen, and Van Vechten /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkkit: | , |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
New York :
Fordham University Press,
2010.
|
| Preanttus: | 1st ed. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
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|
Sisdoallologahallan:
- "Little black man": repetition, the lesbian phallus, and the southern rape complex in Sanctuary
- "Which tooth hit you first?": nation, home, women, and violence in Requiem for a nun
- "Anyone with half an eye": blackness and the disaster of narcissism in Quicksand
- "A having way": fetishism and the black bourgeoisie in Passing
- "To glorify the negro": photographic shock and blackness in Carl Van Vechten's Portraiture.