Photographing the Mexican Revolution commitments, testimonies, icons /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Austin :
University of Texas Press,
2012.
|
| Putanga: | 1st ed. |
| Rangatū: | William & Bettye Nowlin series in art, history, and culture of the Western Hemisphere.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- The Porfiriato : from the studio to the street
- Representing the revolution
- The myth of the casasolas
- Learning to photograph war
- The Zapatista movement and southern cameras
- Photographing the reaction
- The caudillo of the cameras?
- The advantages of photographing the constitutionalist movement
- Epilogue : the icons of the Mexican Revolution.