Dark directions Romero, Craven, Carpenter, and the modern horror film /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Carbondale :
Southern Illinois University Press,
2012.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Introduction: auteur, genre, and the rhetorics of horror
- Unconstrained bodies in the films of George Romero. The body as contrast: Romero's Living dead
- The body as site of struggle: The crazies, Monkey shines, The dark half, Bruiser
- Romero's mythic bodies: Martin and Knightriders
- Gothic dimensions in the films of Wes Craven. Craven's gothic form: nightmares, screams, and monsters
- Gothic technologies: Serpent and the rainbow, Deadly friend, Swamp thing, Red eye, Shocker
- Gothic families: The people under the stairs, The hills have eyes, Last house on the left
- Desolate frontiers in the films of John Carpenter. Sites under siege: Dark star, Assault on Precinct 13, The thing, Village of the damned
- Forbidden thresholds: The fog, Ghosts of Mars, Halloween, Prince of darkness, In the mouth of madness
- Drifters in desolation: Big trouble in Little China, Vampires, They live, Escape from New York, Escape from L.A.
- Conclusion.