Cult cinema an introduction /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Malden, Mass. :
John Wiley & Sons Ltd.,
2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Receptions and debates. Cult reception contexts
- The cult cinema marketplace
- Prestige, awards, and festivals
- Censorship and criticism
- Random and subculture
- The cult auteur
- Cult stardom
- Camp and paracinema
- Transgression and freakery
- Gender and sexuality
- Transnationalism and Orientalism
- Religion and utopia
- Themes and genres. Exploitation and B movies
- Underground and avant-garde cinema
- Cult cinema and drugs
- Cult cinema and music
- Classical Hollywood cults
- Cult horror cinema
- Cult science fiction cinema
- Cult blockbusters
- Intertextuality and irony
- Meta-cult.