Paul Robeson and the Cold War performance complex race, madness, activism /
Furkejuvvon:
Váldodahkki: | |
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Searvvušdahkki: | |
Materiálatiipa: | Elektrovnnalaš E-girji |
Giella: | eaŋgalasgiella |
Almmustuhtton: |
Ann Arbor :
University of Michigan Press,
2012.
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Ráidu: | Theater--theory/text/performance.
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Fáttát: | |
Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
Fáddágilkorat: |
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|
Sisdoallologahallan:
- Introduction: the red mask of sanity
- Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft
- Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance
- Discordant tones and the melody of freedom at Peekskill
- Anticommunism and the American lynching imagination
- Shedding blood and beating back fascists
- Staging anticommunism, staging racist violence
- Coda: the complex and the rupture.