Paul Robeson and the Cold War performance complex race, madness, activism /
Sábháilte in:
Príomhchruthaitheoir: | |
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Údar corparáideach: | |
Formáid: | Leictreonach Ríomhleabhar |
Teanga: | Béarla |
Foilsithe / Cruthaithe: |
Ann Arbor :
University of Michigan Press,
2012.
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Sraith: | Theater--theory/text/performance.
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Ábhair: | |
Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Introduction: the red mask of sanity
- Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft
- Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance
- Discordant tones and the melody of freedom at Peekskill
- Anticommunism and the American lynching imagination
- Shedding blood and beating back fascists
- Staging anticommunism, staging racist violence
- Coda: the complex and the rupture.