Paul Robeson and the Cold War performance complex race, madness, activism /
Wedi'i Gadw mewn:
Prif Awdur: | |
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Awdur Corfforaethol: | |
Fformat: | Electronig eLyfr |
Iaith: | Saesneg |
Cyhoeddwyd: |
Ann Arbor :
University of Michigan Press,
2012.
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Cyfres: | Theater--theory/text/performance.
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Pynciau: | |
Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- Introduction: the red mask of sanity
- Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft
- Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance
- Discordant tones and the melody of freedom at Peekskill
- Anticommunism and the American lynching imagination
- Shedding blood and beating back fascists
- Staging anticommunism, staging racist violence
- Coda: the complex and the rupture.