World cinema and the visual arts
I tiakina i:
Kaituhi rangatōpū: | |
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Ētahi atu kaituhi: | |
Hōputu: | Tāhiko īPukapuka |
Reo: | Ingarihi |
I whakaputaina: |
London :
Anthem Press,
2012.
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Ngā marau: | |
Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction
- Projecting a more habitable globe: Hollywood's yellow peril and its refraction onto 1930s Shanghai national cinema / Lily Wong
- Berlin, the city of sound and sensation in Fritz Lang's M and E. A. Dupont's Varieté / Isa Murdock-Hinrichs
- Bond's body: Diamonds are forever (1971), Casino Royale (2006) and the future anterior / Shelton Waldrep
- Whatever you say, say nothing / Anna Zaluczkowska
- Imperial gazes, Hollywood predators: a cinema of molestation in postcolonial Indian literature / Jerod RaDel Hollyfield
- Linguistic identity in Fruit Chan's 1997 trilogy / Howard Y. F. Choy
- The postnational and the aesthetics of the spectral: Hou Hsiao-Hsien's Flight of the red balloon / Je Cheol Park
- The art object as text in the practice of comparative visuality / Jane Chin Davidson
- Exploring in-humanity: Gertrude Stein's Tender buttons and still-life painting / Nandini Ramesh Sankar
- Re-defining art: Manuel Rivas' Mujer en el baño / Ana-María Medina
- Re-envisioning the haunting past: Kara Walker's art and the re-appropriation of the visual codes of the antebellum South / Minna Niemi.