The beauty of the real what Hollywood can learn from contemporary French actresses /
I tiakina i:
| Kaituhi rangatōpū: | |
|---|---|
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Stanford, Calif. :
Stanford General Books,
2012.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : two myths
- Teen rebellion
- The young woman alone : Isabelle Huppert, Isabelle Adjani, and Nathalie Baye
- Juliette Binoche, Emmanuelle Béart, and the temptations of vanity
- The shame of Valeria Bruni Tedeschi
- Sandrine Kiberlain
- Sandrine Bonnaire, Isabelle Huppert, and La cérémonie
- The allure of Hollywood
- Alone at midlife : Nathalie Baye in the nineties
- The French Meryl Streep
- Agnès Jaoui
- Marriage and adultery (same thing)
- Géraldine Pailhas and building a career
- Isabelle Carré and madness
- Les femmes d'un certain age
- The new talent
- France and America
- Appendix one : how to sell French films in the United States
- Appendix two : how to see French films in the United States.