Visualities perspectives on contemporary American Indian film and art /
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| Autor Corporativo: | |
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| Outros Autores: | |
| Formato: | Recurso Electrónico livro electrónico |
| Idioma: | inglês |
| Publicado em: |
East Lansing :
Michigan State University Press,
c2011.
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| Colecção: | American Indian studies series.
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| Assuntos: | |
| Acesso em linha: | An electronic book accessible through the World Wide Web; click to view |
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Sumário:
- Introduction: Indigenous visualities
- pt. 1. Indigenous film practices
- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja
- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne
- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst
- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli
- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey
- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper
- pt. 2. Contemporary American Indian art
- Indigenous semiotics and shared modernity / Dean Rader
- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin
- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler
- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen.