The poetics of Iranian cinema aesthetics, modernity and film after the revolution /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
London ; New York :
I.B. Tauris,
2011.
|
| Rangatū: | International library of Iranian studies ;
33. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: Islamic Revolution and aesthetic evolution
- Cinema art: a poetic interpretation
- Kiarostami and the aesthetics of Ghazal
- Kiarostami and modern Persian poetry
- Modernity and identity in a cinematic perspective
- Mirroring the past, envisioning the future
- Bayzai and the conventions of visual arts
- Conclusion: responding to the Cry of the Simurgh.