Whiting up whiteface minstrels and stage Europeans in African American performance /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Chapel Hill :
University of North Carolina Press,
c2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : whiting up work
- Liberatory whiteness : early whiteface minstrels, enslaved and free
- Imitation whiteness : James Hewlett's stage Europeans
- Low-down whiteness : a trip to coontown
- Trespassing on whiteness : Negro actors and the Nordic complex
- Estranging whiteness : queens, clowns, and beasts in 1960s Black drama
- White people be like-- : Black solo and racial difference
- Conclusion : problems and possibilities of whiting up.