Whiting up whiteface minstrels and stage Europeans in African American performance /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Chapel Hill :
University of North Carolina Press,
c2011.
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| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
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Sisdoallologahallan:
- Introduction : whiting up work
- Liberatory whiteness : early whiteface minstrels, enslaved and free
- Imitation whiteness : James Hewlett's stage Europeans
- Low-down whiteness : a trip to coontown
- Trespassing on whiteness : Negro actors and the Nordic complex
- Estranging whiteness : queens, clowns, and beasts in 1960s Black drama
- White people be like-- : Black solo and racial difference
- Conclusion : problems and possibilities of whiting up.