The world created in the image of man the conflict between pictorial form and space in defiance of the law of temporality /
में बचाया:
| मुख्य लेखक: | |
|---|---|
| निगमित लेखक: | |
| स्वरूप: | इलेक्ट्रोनिक ई-पुस्तक |
| भाषा: | अंग्रेज़ी |
| प्रकाशित: |
New York :
Peter Lang,
c2010.
|
| विषय: | |
| ऑनलाइन पहुंच: | An electronic book accessible through the World Wide Web; click to view |
| टैग: |
टैग जोड़ें
कोई टैग नहीं, इस रिकॉर्ड को टैग करने वाले पहले व्यक्ति बनें!
|
विषय - सूची:
- List of illustrations
- Acknowledgments
- Introduction
- Japanese defiance of the Chinese concept of unlimited space : the role of the oblique setting in the illustrations of the first half of the twelfth century to Murasaki Shikibu's Tale of Genji
- The virgin of Vladimir (early twelfth century) and The virgin of the Don (c. 1392), two icons from the Tretyakov Gallery in Moscow : striving for a particularize feeling
- The arch motive in Italian Renaissance art : its changing meaning in compositional function
- Rembrandt and the Baroque : contained emotion and the hostility of darkness
- French impressionism as heir to the classical tradition and its encounter with Japanese "pictures of the floating world" (Ukiyo-e)
- Conclusion. What happened next? Postmodern art in the context of the historical development of the interrelation of form and space
- Notes
- Index.