The world created in the image of man the conflict between pictorial form and space in defiance of the law of temporality /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
New York :
Peter Lang,
c2010.
|
| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- List of illustrations
- Acknowledgments
- Introduction
- Japanese defiance of the Chinese concept of unlimited space : the role of the oblique setting in the illustrations of the first half of the twelfth century to Murasaki Shikibu's Tale of Genji
- The virgin of Vladimir (early twelfth century) and The virgin of the Don (c. 1392), two icons from the Tretyakov Gallery in Moscow : striving for a particularize feeling
- The arch motive in Italian Renaissance art : its changing meaning in compositional function
- Rembrandt and the Baroque : contained emotion and the hostility of darkness
- French impressionism as heir to the classical tradition and its encounter with Japanese "pictures of the floating world" (Ukiyo-e)
- Conclusion. What happened next? Postmodern art in the context of the historical development of the interrelation of form and space
- Notes
- Index.