The world created in the image of man the conflict between pictorial form and space in defiance of the law of temporality /

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Bibliographische Detailangaben
1. Verfasser: Brodskiĭ, V. E. (Vladimir Evseevich)
Körperschaft: ebrary, Inc
Format: Elektronisch E-Book
Sprache:Englisch
Veröffentlicht: New York : Peter Lang, c2010.
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Online-Zugang:An electronic book accessible through the World Wide Web; click to view
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Inhaltsangabe:
  • List of illustrations
  • Acknowledgments
  • Introduction
  • Japanese defiance of the Chinese concept of unlimited space : the role of the oblique setting in the illustrations of the first half of the twelfth century to Murasaki Shikibu's Tale of Genji
  • The virgin of Vladimir (early twelfth century) and The virgin of the Don (c. 1392), two icons from the Tretyakov Gallery in Moscow : striving for a particularize feeling
  • The arch motive in Italian Renaissance art : its changing meaning in compositional function
  • Rembrandt and the Baroque : contained emotion and the hostility of darkness
  • French impressionism as heir to the classical tradition and its encounter with Japanese "pictures of the floating world" (Ukiyo-e)
  • Conclusion. What happened next? Postmodern art in the context of the historical development of the interrelation of form and space
  • Notes
  • Index.