Authorizing Shakespeare on film and television gender, class, and ethnicity in adaptation /
محفوظ في:
| المؤلف الرئيسي: | |
|---|---|
| مؤلف مشترك: | |
| التنسيق: | الكتروني كتاب الكتروني |
| اللغة: | الإنجليزية |
| منشور في: |
New York :
Peter Lang,
2011.
|
| سلاسل: | Studies in Shakespeare ;
v. 19. |
| الموضوعات: | |
| الوصول للمادة أونلاين: | An electronic book accessible through the World Wide Web; click to view |
| الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
|
جدول المحتويات:
- Introduction : gestures that authorize
- Adaptations of the father: paternal authority goes imperial in Kenneth Branagh's Hamlet and As you like it
- The liberal-humanist Shakespeare in Michael Radford's The merchant of Venice: Ethnic tolerance and the Portia problem
- Deep-fried American dream: class striving under the heat lamp in Scotland, Pa.
- Teen Shakespeare and the trouble with gender: 10 things I hate about you and She's the man
- The Bard and the beeb : televisual authority and Shakespeare retold
- Tracing Hamlet in slings and arrows: Fathers haunt the theater
- It's not tv, it's Shakespeare: literary-historical adaptation in HBO's Rome.