Forró and redemptive regionalism from the Brazilian northeast popular music in a culture of migration /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Peter Lang,
c2010.
|
| Rangatū: | Latin America ;
v. 18. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- From symbol to allegory
- Saudade as diasporic affect
- The rural-urban negative dialectic
- Framing forró's perceptiveness
- The synthetic urge
- The synthetic urge and forró
- The "changing same" and redemptive regionalism in the evolving popular musical form of forró.