Real and imagined women in British romanticism
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
New York :
Peter Lang,
c2010.
|
| Ráidu: | Studies in nineteenth-century British literature ;
v. 27. |
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- Wordsworth, Keats, the possibility of the female voice
- The problem of gender in reason, feeling and sentiment: Mary Wollstonecraft and Edmund Burke
- The problem of gender in beauty, sublimity, and the imagination: Mary Wollstonecraft and Edmund Burke
- Gender and the poet's identity in some of the Lyrical ballads: William Wordsworth
- Gender and history in The prelude: William Wordsworth
- Gender and imagination in "Lamia" and "La belle dame sans merci": John Keats.