The theatre of naturalism disappearing act /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Peter Lang,
c2011.
|
| Rangatū: | Currents in comparative Romance languages and literatures ;
v. 185. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : ushering in the spectacle
- The mirror stage : Thérèse Raquin (Zola)
- The return of the repressed : Ghosts (Ibsen)
- The nature of the beast : The power of darkness (Tolstoy)
- The dialectic of the master and the slave : Miss Julie (Strindberg)
- The war between the classes : The weavers (Hauptmann)
- In the country of the blind : The lower depths (Gorky)
- A living like any other : Mrs. Warren's profession (Shaw)
- A naturalist symbolism : Riders to the sea (Synge)
- Living history : Chicken soup with barley (Wesker)
- Living theatre : The brig (Brown)
- "Like a neutron bomb of the mind" : a digression on Bernard Stiegler
- On the side of the object : The contractor, The changing room (Storey).