Technology and postmodern subjectivity in Don DeLillo's novels
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Peter Lang,
c2010.
|
| Rangatū: | Modern American literature (New York, N.Y.) ;
v. 52. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Americana: inventing the primitive
- TV or not TV?
- 28 years in the movies
- The plastic bitch
- Oedison Rex
- America-na-na
- White noise: technology with a human face
- Cable weather: white noise, black magic
- Cable news: entering your code
- Cable nature: postmodern transcendentalism
- Cable health: the televisual body
- Underworld: American misshapens
- October 3, 1951: American apocalypse
- Self-externalization: the made man
- "The mind's own technology"
- Cosmopolis: the concept of disappearance.