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The double, the labyrinth and the locked room metaphors of paradox in crime fiction and film /

I tiakina i:
Kaituhi matua: Shiloh, Ilana
Kaituhi rangatōpū: ebrary, Inc
Hōputu: Tāhiko īPukapuka
Reo:Ingarihi
I whakaputaina: New York : Peter Lang, c2011.
Ngā marau:
Detective and mystery stories, American > History and criticism.
Detective and mystery films > History and criticism.
Metaphor in literature.
Metaphor in motion pictures.
Split self in literature.
Doubles in literature.
Electronic books.
Urunga tuihono:An electronic book accessible through the World Wide Web; click to view
Ngā Tūtohu: Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
Rārangi ihirangi:
  • Introduction
  • The deconstruction of reason in Poe's Tales of ratiocination. The double. Existential doubles : Dashiell Hammett's The Maltese falcon
  • Subversive doubles : Patricia Highsmith's The talented Mr. Ripley
  • Doubles : Christopher Nolan's Memento
  • The labyrinth. Avatars of the labyrinth : Jorge Luis Borges's Death and the compass
  • Justice as a labyrinth : the Coen Brothers' The man who wasn't there
  • The book as a labyrinth : Mark Danielewski's House of leaves
  • The locked room. The locked room of the self : Paul Auster's The New York trilogy
  • Conclusion.

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