Musical theatre, realism and entertainment
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          | Hovedforfatter: | |
|---|---|
| Institution som forfatter: | |
| Format: | Electronisk eBog | 
| Sprog: | engelsk | 
| Udgivet: | 
        Farnham, England ; Burlington Vt. :
          Ashgate,
    
        c2012.
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| Serier: | Ashgate interdisciplinary studies in opera.
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| Fag: | |
| Online adgang: | An electronic book accessible through the World Wide Web; click to view | 
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                Indholdsfortegnelse: 
            
                  - Musical characterisation in HMS Pinafore and the Rocky horror show
 - Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960
 - Integration and distance in musical theatre : the case of Sweeney Todd
 - Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years
 - Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins
 - Illusions of realism in West Side story and actor-musician performances
 - Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert
 - I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you.