Traumatic possessions the body and memory in African American women's writing and performance /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Charlottesville :
University of Virginia Press,
2009.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
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Sisdoallologahallan:
- "The quick gasp of sympathy": trauma and interracial witnessing in Sherley Anne Williams's Dessa Rose
- Betrayal trauma and the test of complicity in Suzan-Lori Parks's Venus
- Between women: trauma, witnessing, and the legacy of interracial rape in Robbie Mccauley's Sally's rape
- Uncanny spaces: trauma, cultural memory, and female body in Gayl Jones's Corregidora
- "I have never seen a movie like that": traumatic memory and the "acceleration of history" in Anna Deavere Smith's Twilight: Los Angeles, 1992.