Inside the TV writer's room practical advice for succeeding in television /
I tiakina i:
| Kaituhi rangatōpū: | |
|---|---|
| Ētahi atu kaituhi: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Syracuse, N.Y. :
Syracuse University Press,
2010.
|
| Putanga: | 1st ed. |
| Rangatū: | Television and popular culture.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- How to break in; or, Why it's all so random
- How to be a TV staff writer; or, Why there is no I in team
- How to make your writing personal; or, Why you must take the "me" out of it
- How to be a better writer; or, Why that college degree matters
- How to find your voice; or, Why theme is important
- How to embrace or ignore your past; or, Why you must say yes
- How to start writing; or, Why writer's block is bunk
- How to really write a teleplay; or, Why it's about process, not product
- How to run a show; or, Why you should be careful what you wish for
- Case study : Tim Kring and Heroes.