Intertextuality in contemporary African literature looking inward /
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Searvvušdahkki: | |
| Materiálatiipa: | Elektrovnnalaš E-girji |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
Lanham, Md. :
Lexington Books,
2011.
|
| Fáttát: | |
| Liŋkkat: | An electronic book accessible through the World Wide Web; click to view |
| Fáddágilkorat: |
Lasit fáddágilkoriid
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|
Sisdoallologahallan:
- When an elephant rustles the bush-
- Is a picture still worth a thousand words? from documentary to investigative realism : Cyprian Ekwensi's Jagua Nana and Flora Nwapa's One is enough
- Lampoon, or the power of savage satire, and the visual object of distaste : Chinua Achebe's A man of the people and Ayi Kwei Armah's The beautyful ones are not yet born
- On the politics of love : Chinua Achebe's No longer at ease and Bessie Head's Maru
- Masking the infrastuctural frame : Christopher Okigbo and his acolytes (Labyrinths' aural and thematic echoes in Okinba Launko's Minted coins and Chimalum Nwankwo's The heart in the womb)
- Conclusion: coming out of shadow : eye on the tradition, looking for consequence.