Music and the elusive revolution cultural politics and political culture in France, 1968-1981 /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Berkeley :
University of California Press,
c2011.
|
| Rangatū: | California studies in 20th-century music ;
12. |
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Ngā tūemi rite: Music and the elusive revolution
- The musical sounds of medieval French cities players, patrons, and politics /
- The musical legacy of wartime France
- Daniel-François-Esprit Auber : Le Concert à la cour, ou La Débutante : Opéra-comique en un acte : Paroles de Eugène-Augustin Scribe et Mélesville /
- Musical cultures in seventeenth-century Russia
- The role of music in European integration : conciliating eurocentrism and multiculturalism /
- Music and institutions in nineteenth-century Britain