Jane Campion authorship and personal cinema /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Bloomington [Ind.] :
Indiana University Press,
c2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction: authorship, creativity, and personal cinema
- Origins of a problematic: the Campion family
- The "tragic underbelly" of the family: fantasies of transgression in the early films
- Living in the shadow of the family tree: Sweetie
- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table
- Traumas of separation and the encounter with the phallic other: The piano
- The misfortunes of an heiress: The portrait of a lady
- Exacting revenge on "cunt men": Holy smoke as sexual fantasy
- "That which terrifies and attracts simultaneously": Killing daddy in the cut
- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star
- Conclusion: theorizing the personal component of authorship.