Jane Campion authorship and personal cinema /
保存先:
| 第一著者: | |
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| 団体著者: | |
| フォーマット: | 電子媒体 eBook |
| 言語: | 英語 |
| 出版事項: |
Bloomington [Ind.] :
Indiana University Press,
c2011.
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| 主題: | |
| オンライン･アクセス: | An electronic book accessible through the World Wide Web; click to view |
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目次:
- Introduction: authorship, creativity, and personal cinema
- Origins of a problematic: the Campion family
- The "tragic underbelly" of the family: fantasies of transgression in the early films
- Living in the shadow of the family tree: Sweetie
- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table
- Traumas of separation and the encounter with the phallic other: The piano
- The misfortunes of an heiress: The portrait of a lady
- Exacting revenge on "cunt men": Holy smoke as sexual fantasy
- "That which terrifies and attracts simultaneously": Killing daddy in the cut
- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star
- Conclusion: theorizing the personal component of authorship.