Jane Campion authorship and personal cinema /
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Formáid: | Leictreonach Ríomhleabhar |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Bloomington [Ind.] :
Indiana University Press,
c2011.
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| Ábhair: | |
| Rochtain ar líne: | An electronic book accessible through the World Wide Web; click to view |
| Clibeanna: |
Cuir clib leis
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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Clár na nÁbhar:
- Introduction: authorship, creativity, and personal cinema
- Origins of a problematic: the Campion family
- The "tragic underbelly" of the family: fantasies of transgression in the early films
- Living in the shadow of the family tree: Sweetie
- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table
- Traumas of separation and the encounter with the phallic other: The piano
- The misfortunes of an heiress: The portrait of a lady
- Exacting revenge on "cunt men": Holy smoke as sexual fantasy
- "That which terrifies and attracts simultaneously": Killing daddy in the cut
- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star
- Conclusion: theorizing the personal component of authorship.