Jane Campion authorship and personal cinema /
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Awdur Corfforaethol: | |
| Fformat: | Electronig eLyfr |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Bloomington [Ind.] :
Indiana University Press,
c2011.
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| Pynciau: | |
| Mynediad Ar-lein: | An electronic book accessible through the World Wide Web; click to view |
| Tagiau: |
Ychwanegu Tag
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
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Tabl Cynhwysion:
- Introduction: authorship, creativity, and personal cinema
- Origins of a problematic: the Campion family
- The "tragic underbelly" of the family: fantasies of transgression in the early films
- Living in the shadow of the family tree: Sweetie
- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table
- Traumas of separation and the encounter with the phallic other: The piano
- The misfortunes of an heiress: The portrait of a lady
- Exacting revenge on "cunt men": Holy smoke as sexual fantasy
- "That which terrifies and attracts simultaneously": Killing daddy in the cut
- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star
- Conclusion: theorizing the personal component of authorship.