The martial arts cinema of the Chinese diaspora Ang Lee, John Woo, and Jackie Chan in Hollywood /
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Kaituhi rangatōpū: | |
| Hōputu: | Tāhiko īPukapuka |
| Reo: | Ingarihi |
| I whakaputaina: |
Carbondale :
Southern Illinois University Press,
2011.
|
| Ngā marau: | |
| Urunga tuihono: | An electronic book accessible through the World Wide Web; click to view |
| Ngā Tūtohu: |
Tāpirihia he Tūtohu
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
|
Rārangi ihirangi:
- Introduction : cosmopolitical consciousness and martial arts cinema
- The martial arts cinema of the Chinese diaspora and Hollywood
- Ang Lee's Crouching tiger, hidden dragon in a cosmopolitical perspective
- Facing off east and west in the cinema of John Woo
- Jackie Chan's transnational film trajectory and politics of comic displacement
- Conclusion.